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2. Music of Bali - Wikipedia

   en.wikipedia.org/wiki/Music_of_Bali

   Balinese gamelan Balinese musicians. Balinese music can be compared to Javanese music, especially that of the pre-Islamic period. During that time, Javanese tonal systems were imported to Bali. Balinese gamelan, a form of Indonesian classical music, is louder, swifter and more aggressive than Sundanese and Javanese music. Balinese gamelan also ...

3. Kotekan - Wikipedia

   en.wikipedia.org/wiki/Kotekan

   An example of kotekan empat (H=high, L=low) depicting the sangsih part (top), the polos part (middle), and their composite (bottom) [1]. Kotekan is a style of playing fast interlocking parts in most varieties of Balinese Gamelan music, including Gamelan gong kebyar, Gamelan angklung, Gamelan jegog and others.

4. Gamelan jegog - Wikipedia

   en.wikipedia.org/wiki/Gamelan_jegog

   Jegog is a form of gamelan music indigenous to Bali, Indonesia, played on instruments made of bamboo. The tradition of jegog is centered in Jembrana, a region in Western Bali. In recent years jegog has started to become popular in other regions of Bali with a few groups being established in central Bali to entertain tourists.

5. Gamelan gong kebyar - Wikipedia

   en.wikipedia.org/wiki/Gamelan_gong_kebyar

   Gamelan gong kebyar is a style or genre of Balinese gamelan music of Indonesia. Kebyar means "to flare up or burst open", [1] and refers to the explosive changes in tempo and dynamics characteristic of the style.

6. Gamelan gong gede - Wikipedia

   en.wikipedia.org/wiki/Gamelan_gong_gede

   During their colonization of Bali in the late nineteenth century, the Dutch dissolved the courts. The use of the gong gede became limited to temple music. [ 4 ] It was later superseded in popularity by gong kebyar , a more up-tempo form of gamelan played with smaller gongs, that originated in Balinese villages in the late 19th century and ...

7. Gamelan semar pegulingan - Wikipedia

   en.wikipedia.org/wiki/Gamelan_semar_pegulingan

   In mediaeval Bali (circa 1700–1906) gamelan semar pegulingan was an important part of the Balinese courts. Accompanying court rituals and pendet dances at temple ceremonies, Semar pegulingan also served to lull the royal family to sleep when it played in the late evenings in the inner sanctum of the palace.

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9. Gamelan gender wayang - Wikipedia

   en.wikipedia.org/wiki/Gamelan_gender_wayang

   Gamelan gender wayang is a style of gamelan music played in Bali, Indonesia.It is required for wayang (shadow puppet theatre) and most sacred Balinese Hindu rituals. The smallest of gamelan ensembles, it requires only two players and is complete at four, the additional instruments doubling an octave above.