Search results
Results from the WOW.Com Content Network
Antipolo by Fernando Amorsolo, depicting Filipinos celebrating the annual pilgrimage to Antipolo, with the pre-War cathedral depicted in the background.. After graduating from the University of the Philippines, Amorsolo worked as a draftsman for the Bureau of Public Works as a chief artist at the Pacific Commercial Company and as a part-time instructor at the University of the Philippines. [7]
Pioneers of Philippine Art showcases the 100 years of Philippine art from the late 19th century to the 20th century in the works of three famous Filipino artists namely Juan Luna, Fernando Amorsolo and Fernando Zobel. [19] Paintings of Amorsolo includes Palay Maiden (1920), Maiden with Lanzones (1924), Maiden in a Flower Garden (1948), Portrait ...
The Ateneo Art Gallery holds over 500 artworks that include paintings, prints, drawings, sculptures, photographs and posters. [3] The collection traces its roots to the late Fernando Zóbel (1920–1984). Painter, art scholar and teacher at the Ateneo, Zóbel donated over 200 artworks to form a study collection for university students.
Works of National Artists of the Philippines — artworks and landmarks created−designed by honored recipients of the National Artist of the Philippines Order v t
Don Fabián de la Rosa y Cueto (May 5, 1869 – December 14, 1937) was a Filipino painter. He was the uncle and mentor to the Philippines' national artist in painting, Fernando Amorsolo, and to his brother Pablo. [1]
Martino pursued a career in the arts, finishing his formal art education at the School of Fine Arts of the University of the Philippines Manila. Among his teachers were the famous masters Fernando Amorsolo and Guillermo Tolentino. As an undergraduate, he helped his brother Ramon conceptualized the famous Carcar landmark, "Rotunda," by making ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Paintings he saw dealt with similar themes and were done in a limited technique that mostly followed the works of Fernando Amorsolo, the first Philippine national artist and the most popular painter of the time. He recognized that there was no creativity whatsoever, and that the artists of that time were merely "copying" each other.