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Therefore, the best that can be understood about German Music during the war is the official Nazi government policy, the level of enforcement, and some notion of the diversity of other music listened to, but as the losers in the war German Music and Nazi songs from World War II has not been assigned the high heroic status of American and ...
Music, he said, should be German, it should be volksverbunden, or linked to the volk, the German nation, and it should express the soul of Germany, die deutsche Seele. Unfortunately how to interpret these Romantic goals was left up to each of the competing authorities, who wondered if one key was more "Nordic" than another, and what was the ...
Schräge Musik (German pronunciation: [ˈʃʁɛːgə muˈziːk]) was a common name for the fitting of an upward-firing autocannon or machine gun, to an interceptor aircraft, such as a night fighter. The term was introduced by the German Luftwaffe during World War II.
The music for this song came from the Lied der Legion Condor ("Song of the Condor Legion"), whose lyrics and music were written by Wolfram Philipps and Christian Jährig, two Condor Legion pilots with the rank of Oberleutnant. The somber music has a minor character, and the song was "exposed to the accusation of being un-German, Russian or ...
"Erika" is a German marching song. It is primarily associated with the German Army, especially that of Nazi Germany, although its text has no political content. [1] It was created by Herms Niel and published in 1938, and soon came into usage by the Wehrmacht. It was frequently played during Nazi Party public events.
The "Panzerlied" ('Tank Song') is a Wehrmacht march of the Nazi era, sung primarily by the Panzerwaffe—the tank force of Nazi Germany during World War II. It is one of the best-known songs of the Wehrmacht and was popularised by the 1965 film Battle of the Bulge. [1] It was composed by Oberleutnant Kurt Wiehle in 1933.
Charlie and his Orchestra (also referred to as the "Templin band" and "Bruno and His Swinging Tigers") were a Nazi-sponsored German propaganda swing band. Jazz music styles were seen by Nazi authorities as rebellious but, ironically, propaganda minister Joseph Goebbels conceived of using the style in shortwave radio broadcasts aimed initially at the United Kingdom, and later the United States ...
"Ein Heller und ein Batzen", also known by its chorus of "Heidi, heido, heida", [1] (with all three words being modifications of the name Adelheid [2]) is a German folk song. Written by Albert von Schlippenbach in 1830 as a drinking song, it later became a popular marching song in the Wehrmacht during the Second World War.