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Watts Gallery – Artists' Village is an art gallery in the village of Compton, near Guildford in Surrey. It is dedicated to the work of the Victorian-era painter and sculptor George Frederic Watts. The gallery has been Grade II* listed on the National Heritage List for England since June 1975. [1]
Watts said it was a symbol of "that restless physical impulse to seek the still unachieved in the domain of material things". The original plaster maquette is at the Watts Gallery, and there are four full-size bronze casts: one in London, one in Cape Town, one in Harare and one soon to be sited at Watts Gallery - Artists' Village in Compton ...
Wilfrid Jasper Walter Blunt (19 July 1901 – 8 January 1987), known simply as Wilfrid Blunt, was an English art teacher, writer, artist and a curator of the Watts Gallery in Compton, Surrey, from 1959 until 1983.
Watts Gallery - Artists’ Village, Surrey, was visited by the De Morgans when it was the home of their contemporaries Mary and George Watts. 'Decoration or Devotion?' is an exhibition that juxtaposes William and Mary’s exclusive interest in the decorative elements of Islamic art for their unique designs, with Evelyn and George’s deep ...
George Frederic Watts (dies 1 July) opens the Watts Gallery in the English village of Compton, Guildford, for the display of his work. November – The Potters (artists group) is formed by female artists in St. Louis, Missouri. Start of Picasso's Rose Period. Georges Braque leaves the Academie Humbert.
Richard Jefferies agreed to sit for Jon Edgar for a portrait using local Compton clay quarried from the foundations of the Brickfields pottery of Mary Wondrausch.The portrait was unveiled at the re-opening of the Watts Gallery in June 2011 and forms part of the Compton Triptych [2] unveiled at The Human Clay exhibition, Lewis Elton Gallery, University of Surrey in November 2011.
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Frank Holl: Emerging from the Shadows was a 2013 exhibition at the Watts Gallery in Surrey, England which included 14 paintings by the artist. Many of Holl's paintings have been lost, however; their importance as pieces of social realism ensures that the ones around will retain their value. [2]
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