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George Frederic Watts, 1898, platinum print by Frederick Hollyer, Department of Image Collections, National Gallery of Art Library, Washington, DC In 1886, at the age of 69, Watts remarried, to Mary Fraser Tytler , a Scottish designer and potter, then aged 36.
Watts Gallery – Artists' Village is an art gallery in the village of Compton, near Guildford in Surrey. It is dedicated to the work of the Victorian-era painter and sculptor George Frederic Watts. The gallery has been Grade II* listed on the National Heritage List for England since June 1975. [1]
Hope Second version of Hope, 1886 Artist George Frederic Watts Year 1886 (1886), further versions 1886–1895 Type Oil Dimensions 142.2 cm × 111.8 cm (56.0 in × 44.0 in) Location Tate Britain Hope is a Symbolist oil painting by the English painter George Frederic Watts, who completed the first two versions in 1886. Radically different from previous treatments of the subject, it shows a lone ...
The Minotaur, oil on canvas, 188.1 cm × 94.5 cm (74.1 in × 37.2 in), Tate Britain. The Minotaur is an 1885 painting by the English painter George Frederic Watts.It depicts the Minotaur from Greek mythology as he waits for his young sacrificial victims to arrive by ship.
Watts said it was a symbol of "that restless physical impulse to seek the still unachieved in the domain of material things". The original plaster maquette is at the Watts Gallery, and there are four full-size bronze casts: one in London, one in Cape Town, one in Harare and one soon to be sited at Watts Gallery - Artists' Village in Compton ...
Mammon, originally exhibited as Mammon.Dedicated to his Worshippers, is an 1885 oil painting by English artist George Frederic Watts, currently in Tate Britain.One of a number of paintings by Watts in this period on the theme of the corrupting influence of wealth, Mammon shows a scene from Edmund Spenser's The Faerie Queene in which Mammon, the embodiment of greed, crushes the weak through his ...
George Frederic Watts, c. 1879 George Frederic Watts was born in 1817, the son of a London musical instrument manufacturer. [2] His two brothers died in 1823, and his mother in 1826, giving Watts an obsession with death that lasted throughout his life. [2]
The All-Pervading is an allegorical painting produced between 1887 and 1890 by the English artist George Frederic Watts.Influenced by the Sibyls of the Sistine Chapel ceiling, it symbolises the spirit Watts saw as governing "the immeasurable expanse".
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