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2. Watts Gallery - Wikipedia

   en.wikipedia.org/wiki/Watts_Gallery

   Watts Gallery – Artists' Village is an art gallery in the village of Compton, near Guildford in Surrey. It is dedicated to the work of the Victorian-era painter and sculptor George Frederic Watts. The gallery has been Grade II* listed on the National Heritage List for England since June 1975. [1]

3. Richard Jefferies (curator) - Wikipedia

   en.wikipedia.org/wiki/Richard_Jefferies_(curator)

   Richard Jefferies agreed to sit for Jon Edgar for a portrait using local Compton clay quarried from the foundations of the Brickfields pottery of Mary Wondrausch.The portrait was unveiled at the re-opening of the Watts Gallery in June 2011 and forms part of the Compton Triptych [2] unveiled at The Human Clay exhibition, Lewis Elton Gallery, University of Surrey in November 2011.

4. After the Deluge (painting) - Wikipedia

   en.wikipedia.org/wiki/After_the_Deluge_(painting)

   Watts Gallery, Compton, Surrey, England After the Deluge , also known as The Forty-First Day , [ 1 ] is a Symbolist oil painting by English artist George Frederic Watts , first exhibited as The Sun in an incomplete form in 1886, and completed in 1891.

5. Wikipedia:Today's featured article/April 27, 2024 - Wikipedia

   en.wikipedia.org/wiki/Wikipedia:Today's_featured...

   The completed version was shown for the first time at the New Gallery in 1891 and was admired by Watts's fellow artists. It influenced many painters who worked in the two decades following. Between 1902 and 1906 the painting was exhibited around the United Kingdom. It is now in the collection of the Watts Gallery in Compton, Guildford, Surrey.

6. Compton, Guildford - Wikipedia

   en.wikipedia.org/wiki/Compton,_Guildford

   The Watts Gallery, Compton [10] One of Compton's most decorated residents by his profession was the artist who was primarily a painter, George Frederic Watts, who lived his later life at a house he called "Limnerslease", [11] close to which is the early 20th century Watts Gallery, dedicated to his work. The gallery is open to visitors.

7. Physical Energy (sculpture) - Wikipedia

   en.wikipedia.org/wiki/Physical_Energy_(sculpture)

   Watts said it was a symbol of "that restless physical impulse to seek the still unachieved in the domain of material things". The original plaster maquette is at the Watts Gallery, and there are four full-size bronze casts: one in London, one in Cape Town, one in Harare and one soon to be sited at Watts Gallery - Artists' Village in Compton ...

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   Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!

9. The All-Pervading - Wikipedia

   en.wikipedia.org/wiki/The_All-Pervading

   Influenced by the Sibyls of the Sistine Chapel ceiling, it symbolises the spirit Watts saw as governing "the immeasurable expanse". He presented it to the Tate Gallery in 1899 and it is now on loan from Tate Britain to the Watts Gallery in Compton, Guildford. He also produced a variant on it as the altarpiece for the Watts Mortuary Chapel.