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Following the closure of the De Morgan Centre, London, in the summer of 2014, the Watts Gallery and the De Morgan Foundation, a registered charity [8] preserving the work of William De Morgan and Evelyn De Morgan, entered into a collaboration which saw the opening of a long term exhibition in the Richard Jeffries Gallery in the main gallery building. [9]
After the Deluge was exhibited in unfinished form in 1886 as The Sun at St Jude's Church, Whitechapel; [17] [D] Samuel Barnett, vicar of St Jude's, organised annual art exhibitions in east London in an effort to bring beauty into the lives of the poor; [24] he had a close relationship with Watts, and regularly borrowed his works to display them ...
The plaster model was part of the artist's bequest to Watts Gallery, and, also in 1904, the first bronze cast of the work (made in 1902 at the Parlanti Foundry) [12] became the artist's last submission to the Royal Academy's summer exhibition. It marked a new prominence for the courtyard of Burlington House as a site for dramatic contemporary ...
Hope Second version of Hope, 1886 Artist George Frederic Watts Year 1886 (1886), further versions 1886–1895 Type Oil Dimensions 142.2 cm × 111.8 cm (56.0 in × 44.0 in) Location Tate Britain Hope is a Symbolist oil painting by the English painter George Frederic Watts, who completed the first two versions in 1886. Radically different from previous treatments of the subject, it shows a lone ...
Richard Jefferies agreed to sit for Jon Edgar for a portrait using local Compton clay quarried from the foundations of the Brickfields pottery of Mary Wondrausch.The portrait was unveiled at the re-opening of the Watts Gallery in June 2011 and forms part of the Compton Triptych [2] unveiled at The Human Clay exhibition, Lewis Elton Gallery, University of Surrey in November 2011.
Frank Holl: Emerging from the Shadows was a 2013 exhibition at the Watts Gallery in Surrey, England which included 14 paintings by the artist. Many of Holl's paintings have been lost, however; their importance as pieces of social realism ensures that the ones around will retain their value. [2]
Watts studied at l'École nationale supérieure des Beaux-Arts in Paris, France. [6] In Paris, he met Jean-Michel Basquiat at an exhibition opening in January 1988. Basquiat was impressed by Watts's paintings and convinced him to move to New York City. They had a very short but important collaboration. [7]
Ivan Aivazovsky – Aivazovsky National Art Gallery, Feodosia, Crimea; Josef and Anni Albers – Josef and Anni Albers Foundation, [3] Bethany, Connecticut; Theodor Aman – Theodor Aman Museum, Bucharest, Romania; Walter Anderson – Walter Anderson Museum of Art, Ocean Springs, Mississippi; Hans Arp – Arp Museum, [4] Bahnhof Rolandseck ...
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