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He developed a distinctive style of painting and is best known for his urban landscapes peopled with human figures, often referred to as "matchstick men". He also painted mysterious unpopulated landscapes, brooding portraits and the unpublished "marionette" works, which were only found after his death. [21]
The human figures are painted in Lowry's characteristic style of "matchstick figures", filing out through the factory gates in large numbers. In the foreground, a horse-drawn carriage and a handcart are visible on the street in front of a row of terraced houses , and large cotton mill buildings and factory chimneys loom in the background, above ...
A painting by L. S. Lowry including his characteristic "matchstick men".. The song reached number seven on the UK Singles Chart, number eight in Canada, and number 12 on the US Billboard Hot 100, becoming their only top-40 single in the United States.
Croatian artist Tomislav Horvat is not the first person to make models out of matchsticks, but he may be the most ambitious. Horvat thinks nothing of putting 210,000 matchsticks to use to create a ...
Going to Work is a 1943 oil painting by the English artist L. S. Lowry. Originally commissioned as a piece of war art by the War Artists Advisory Committee, it depicts crowds of workers walking into the Mather & Platt engineering equipment factory in Manchester, north-west England. The painting now hangs in the Imperial War Museum North. [1]
Due to her use of "matchstick men"/stick-figures, Chrisp's work was sometimes compared to that of L. S. Lowry, but she rejected the comparison: "Some people think that I paint like L.S. Lowry but whereas his colours are muted and grey, mine are gay and happy." [1] She signed her work "E. M. Chrisp" and "Emily". [1]
LONDON — You could say Richard Plaud's dreams of making the world's tallest matchstick sculpture may have gone up in smoke. The Frenchman spent the last eight years painstakingly piecing ...
The chorus makes reference to Lowry's style of painting human figures, which was similar to stick figure drawings (a "matchstalk" is a matchstick in the Salford dialect). [6] For the song, Michael Coleman drew on his own memories of Salford and Ancoats as well as the paintings of Lowry. The song lyrics make reference to Lowry's painted scenes ...