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However, Bosch is innovative in that he describes hell not as a fantastical place but as a realistic world containing many elements from day-to-day human life. [43] Gibson compares this "Prince of Hell" to a figure in the 12th-century Irish religious text Vision of Tundale, who feeds on the souls of corrupt and lecherous clergy. [47]
It depicts angels helping human souls towards heaven. The attribution to Bosch is not universally accepted. [1] It is located in the Gallerie dell'Accademia in Venice, Italy. [2] This painting is part of a polyptych of four panels entitled Visions of the Hereafter. The others are Terrestrial Paradise, Fall of the Damned into Hell and Hell.
Daringly, van Eyck shows kings and members of the clergy among those condemned to hell. [22] The earth is represented by the narrow area between heaven and hell. The passage shows the resurrection of the dead as the fires of the last day rage. The dead rise from their graves to the left and from the stormy sea to the right. [28]
The large wall paintings on wood panels inside the church were executed by another notable son of Paete, Luciano Dans. These depict Langit, Lupa, Impiyerno – Heaven, Earth, Hell – and large murals of Saint Christopher. Dans used natural color pigments mixed with volcanic ash and brushes made from cats' hair to create the murals. [10]
Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...
Please, let me know if you use this work outside Wikimedia Commons sending me an email on Poco a poco or to diego(at)delso.photo with reference to the URL in the case of a website or to the ISBN/author/title in the case of a printed work or eBook.
Another allegorical painting is the ... It presents the eternal choice of mankind between virtue and vice and depicts the three regions of heaven, earth and hell.
The painting is a split landscape with the top portion being heaven and the bottom portion representing hell. Heaven is illustrated with light blues, vibrant colors, and surrounded by flying angels, while hell is much darker than heaven. This is illustrated through dark tones and demonic creatures to set the distinct difference between the two.
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