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It actually has two extra scenes. One comes after the first chunk of credits, where B-127 proudly shows his laser-y “knife hands” to the piles of junk he considers his “friends” – and ...
Transformers One grossed $59.1 million in the United States and Canada, and $70.3 million in other territories, for a worldwide total of $129.4 million. [6] [5] In the United States and Canada, Transformers One was released alongside The Substance and Never Let Go, and was projected to gross $30–40 million from 3,978 theaters in its opening ...
Michael Benjamin Bay (born February 17, 1965) [1] is an American film director and producer. He is best known for making big-budget high-concept action films with fast cutting, stylistic cinematography and visuals, and extensive use of special effects, including frequent depictions of explosions.
In a mid-credits scene, after an unknown period on the run, Jai is eventually reunited with Pankaj and Shikha, as he finally introduces Harleen to them. During the credits, a song is sung. Blended: Outtakes of the cast dancing with the African dance troupe. Afterwards we hear a cute Adam Sandler song that was apparently recorded with his real kids.
“Transformers One” director Josh Cooley wanted an end credits song that captured the tone of his new animated feature. He had already enlisted composer Brian Tyler to compose the film’s ...
Chris Hemsworth, the voice of a young Optimus Prime, and Brian Tyree Henry, the voice of a young Megatron, got an enthusiastic welcome at CinemaCon as they introduced a first look and 3D scene ...
Transformers One (Music from the Motion Picture) is the soundtrack album to the 2024 film of the same name. It features the original score composed and conducted by Brian Tyler and was released by Sony Classical Records and Milan Records on September 20, 2024.
Post-credits scenes may have their origins in encores, an additional performance added to the end of staged shows in response to audience applause. [1] Opera encores were common practice in the 19th century, when the story was often interrupted so a singer could repeat an aria, but fell out of favor in the 1920s due to rising emphasis on dramatic storytelling rather than vocal performance.
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