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Rudraksha is a Sanskrit compound word consisting of "Rudra"(Sanskrit: रुद्र) referring to Shiva and "akṣa "(Sanskrit: अक्ष) meaning "eye". [5] [a] [6] Sanskrit dictionaries translate akṣa (Sanskrit: अक्ष) as eyes, [7] as do many prominent Hindus such as Sivaya Subramuniyaswami and Kamal Narayan Seetha; accordingly, rudraksha may be interpreted as meaning "Eye of ...
The physical characteristics of a rudraksha are then described. A rudraksha of the amla fruit size is the best, followed by the size of a berry and the size of the black gram, the lowest. Four types of rudraksha – white, red, yellowish, and black – are declared fit for four Varnas or castes – Brahmin, Kshatriya, Vaishya, and Shudra ...
The word rudraksha (Sanskrit: rudrākṣa = rudra and akṣa 'eye'), or 'eye of Rudra', is used as a name for both the berry of the rudraksha tree and a name for a string of the prayer beads made from those seeds. [24] Rudra is one of the names of Vishnu in Vishnu Sahasranama. [25]
The akshamala denotes a string made up of beads where each bead represents the 50 letters of the alphabet, a (अ) to ksha (क्ष), hence it is known as Akshamalika Upanishad. [3] Alternate names for rosaries, states Ernst Leumann, that appear in Jaina and Hindu texts are akshamala , akshamalika , akshasutra , rudrashamala , carcakamala and ...
The most common materials used for making the beads are Rudraksha seeds (used by Shaivites) and Ocimum tenuiflorum (tulasi) stems (used by Vaishnavites). [26] Shaivites believe that the Rudraksha Japa Mala [32] epitomizes ancient wisdom and mystical energies, offering seekers a conduit to inner peace and spiritual harmony. [33]
The ursava deity Lord Ekambareswarar is seated in a glass sanctum sactorum with a roof decorated with rudraksha beads. Just in front of this shrine on the corridor, there another shrine with Sphatika Lingam along with the vehicle Nandi (Holy Bull). Offering prayer to this Sphatika Lingam will bring better appearance, confidence and fair ...
His dark skin appeared smeared with light ash. He wore a white dhoti, a necklace of rudraksha beads, and his matted hair piled on top of his head, in the manner of the yogis of ancient times. [11] He was extremely handsome with large, beautiful eyes. A bright light emanated from him, and all Sathyaraju could see was the yogi and the divine ...
The Bhasmajabala Upanishad is presented in two parts. The first part, with 17 verses, explained by Bhusunda Jabala, prescribes the procedure for making the Bhashma and its smearing; the second part, with 52 verses, narrates the conversation between Bhusunda Jabala and Shiva giving details about the Gods to be worshipped, and procedures for worship.
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