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Raja Sen gave it 1.5 (out of 5) stars, saying: "There is a lot to be said about the futility of war, and now Dutta has made his case for the futility of the war movie." [15] Devesh Sharma of Filmfare rated the film 3 out of 5 stars and wrote "All-in-all, the film might be a little melodramatic at times but its heart certainly is in the right ...
Reality) is a 1964 Indian Hindi-language war-drama film written, directed and produced by Chetan Anand. The film stars Dharmendra, Balraj Sahni, Priya Rajvansh, Sudhir, Sanjay Khan and Vijay Anand in major roles. The music of the film is composed by Madan Mohan and the lyrics of the songs are by Kaifi Azmi.
Shiladitya Bora is an Indian film producer, director, marketer and distributor. [1] He is the founder of Platoon One Films, a Mumbai-based film production studio. Bora was born and brought up in Assam and completed his undergraduate and post-graduate studies in Ahmedabad.
The film was a critical and commercial success, as were some other Stone films at the time, but most studios were still reluctant to finance Platoon, because it was about the unpopular Vietnam War. After the release of The Deer Hunter and Apocalypse Now , the studios then cited the perception that these films were considered the pinnacle of the ...
Prahaar (transl. Attack) is a 1991 Indian Hindi-language action drama film, written and directed by Nana Patekar. The film was nominated for Best Story at the 37th Filmfare Awards. The film was nominated for Best Story at the 37th Filmfare Awards.
Dafoe shares his memories of making "Platoon" and playing the Green Goblin in the original "Spider-Man." ... the Vietnam War-set movie awarded the then-31-year-old actor one of the most famous ...
“First Squad, First Platoon” is broken into five vignettes, each dedicated to a fallen peer. "Serling wrote this story in his early twenties, yet it carries a maturity beyond his years ...
The short film has received positive responses from the critics around India. [6] [7] [8] The Indian Express said, "The short film makes one think about the possibilities that are on the verge of becoming a reality and Ghosh’s haunting tone in some parts of the film leaves you with an eerie feeling. It makes one wonder that if this is the ...