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The Virgin and Child from the Sainte-Chapelle is an ivory sculpture probably created in the 1260s, currently in the possession of the Louvre Museum in Paris.The museum itself describes it as "unquestionably the most beautiful piece of ronde-bosse [in the round] ivory carving ever made", [1] and the finest individual work of art in the wave of ivory sculpture coming out of Paris in the 13th and ...
Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church. The various different names are effectively interchangeable, and any particular work may be given ...
Francesco di Vannuccio, Crucifix, ca. 1370 . The Museum & Gallery, Inc. is currently located on the campus of Bob Jones University in Greenville, South Carolina. It was established in 1951, and focuses on sacred art, mainly European Old Master paintings, but also includes smaller collections of sculpture, furniture, architectural elements, textiles, Greek and Russian icons, and ancient artifacts.
Master of the Mascoli Altar (1425–1450), 1 sculpture : Madonna, Child and Saints, Mascoli Chapel, San Marco, Venice ; Master Paul of Lõcse (1500–1520), 8 sculptures : High Altarpiece of St. James, Basilica of St. James, Levoča; Simon Mazière (1648-after 1721), 1 sculpture : The Raising of the Cross, Cathedral, Chartres
The Virgin of the pillar or Notre-Dame de Paris is a title of the Blessed Virgin that is associated with a near life-size stone statue, 1.8 metres tall, of the Virgin and Child created in the early 14th century. The statue was transferred to Notre-Dame in 1818, it was first placed in the over mantal of the portal of the Virgin to replace the ...
English: The Virgin and Child by Carlo Dolci, late 1640s, oil on canvas, 44 2/5 x 39 1/3 in. (112.7 cm x 99.7 cm), Bob Jones University Museum & Gallery Date late 1640s
The statue of the Virgin and Child in the niche behind Mary's left shoulder might represent such an image, whereas the inscription of a Nativity hymn around the lost frame, ending in ETCET, i.e. "etcetera", would have told the viewer to recite the whole hymn, perhaps for an indulgence. The purpose of the picture, therefore, may have been to ...
The Madonna of Bruges is a marble sculpture by Michelangelo of the Virgin and Child. Michelangelo's depiction of the Madonna and Child differs significantly from earlier representations of the same subject, which tended to feature a pious Virgin smiling down on an infant held in her arms. Instead, Jesus stands upright, almost unsupported, only ...
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