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A Buddhist chant is a form of musical verse or recitation, in some ways analogous to the religious musics and hymns of other faiths. There are numerous traditions of Buddhist chanting, singing, and music in all three major schools of Buddhism: Theravada, East Asian Buddhism, and Himalayan Vajrayana.
The Jinapanjara (Pali: jinapañjara; Thai: ชินบัญชร, Chinabanchon), sometimes known in English as "The Cage of the Conqueror", is a post-canonical Buddhist Paritta chant. It is the most popular paritta (protective text) in Thailand. [1] It has existed since the end of the nineteenth century, from the time of the reign of Rama II.
In his attempt to recite his notes, Homer unknowingly babbles the chant. [24] 2019 – The documentary film, Buster Williams, From Bass to Infinity, directed by Adam Kahan. Jazz bassist Buster Williams is a Buddhist practitioner and chants with his wife during the film. [25] [better source needed]
The traditional Chinese Buddhist liturgy for morning chanting (simplified Chinese: 早课; traditional Chinese: 早課), evening chanting (simplified Chinese: 晚课; traditional Chinese: 晚課), and regularly scheduled Dharma services (simplified Chinese: 共修法会; traditional Chinese: 共修法會) in the Chan and Pure Land schools combine mantras, recitation of the Buddha's name and ...
The Mantra of Light (Japanese: kōmyō shingon, 光明真言, Sanskrit: Prabhāsa-mantra), also called the Mantra of the Light of Great Consecration (Ch: 大灌頂光真言) and Mantra of the Unfailing Rope Snare, is an important mantra of the Shingon and Kegon sects of Japanese Buddhism. It is also recited in Japanese Zen Buddhism. [1]
The Shurangama or Śūraṅgama mantra is a dhāraṇī or long mantra of Buddhist practice in East Asia. Although relatively unknown in modern Tibet, there are several Śūraṅgama Mantra texts in the Tibetan Buddhist canon. It has strong associations with the Chinese Chan Buddhist tradition.
In the throat singing prevalent amongst the Buddhist monks of Tibet and Mongolia, [13] the long and slow outbreath during chanting is the core of the practice. The sound of the chant also serves to focus the mind in one-pointed concentration , while the sense of self dissolves as awareness becomes absorbed into a realm of pure sound.
Shōmyō (声明) is a style of Japanese Buddhist chant, used mainly in the Tendai and Shingon sects. [1] There are two styles: ryokyoku and rikkyoku, described as difficult and easy to remember, respectively. Shōmyō, like gagaku, employs the Yo scale, a pentatonic scale with ascending intervals of two, three, two, two, and three semitones. [2]