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The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil—except for the last four cantos, at which point Beatrice takes over as Dante's guide. Allegorically, Purgatorio represents the penitent Christian life. [1]
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
Purgatorio: Blank verse: 2000: A. S. Kline: United States Poetry in translation: Comedy: Prose: 2000–2007: Jean Hollander and Robert Hollander: United States Anchor Books: Comedy: Free verse [33] Known for its extensive scholarly notes; the full text is over 600 pages. [34] The Hollanders were given a Gold Florin award from the city of ...
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
The Monk's Tale from The Canterbury Tales describes (in greater and more emphatic detail) the plight of Count Ugolino (Inferno, cantos 32 and 33), referring explicitly to Dante's original text in 7.2459–2462. The beginning of the last stanza of Troilus and Criseyde (5.1863-65) is modelled on Paradiso 12.28–30. [6]
The drawing for Canto I of Inferno has the figures at a larger scale than that used in later cantos, up to the end of the Purgatorio. The earlier drawings for the Inferno are generally the most completed, and the most detailed, [ 20 ] but cantos II to VII, XI and XIV are missing, though probably made by Botticelli.
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Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio.It is an allegory telling of Dante's journey through Heaven, guided by Beatrice, who symbolises theology.