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These are life-size casts taken from a group of children of diverse ethnic backgrounds. Circular in structure ... the work both withstands strong currents and replicates one of the primary geometric shapes, evoking ideas of unity and continuum. ... The sculpture proposes growth, chance, and natural transformation.
The importance of the sea to maritime nations is shown by the intrusions it makes into their culture; its inclusion in myth and legend; its mention in proverbs and folk song; the use of ships in votive offerings; the importance of ships and the sea in initiation ceremonies and in mortuary rites; children playing with toy boats; adults making ...
Underwater photography is the process of taking photographs while under water. It is usually done while scuba diving , but can be done while diving on surface supply , snorkeling , swimming , from a submersible or remotely operated underwater vehicle , or from automated cameras lowered from the surface.
Under the Sea Wind consists of three parts, each following a different organism that interacts with the sea, and viewing it from a personified organism's perspective. [8] [11] The first section, Edge of the Sea, follows a female sanderling Carson names Silverbar. [8] The second section, The Gull's Way, follows a mackerel named Scomber, and the ...
Israëls first painted the subject of Children of the Sea in 1863. The subject was popular and Israëls repeated it in other paintings. [1] Many of his paintings show peasants at work or resting. Children of the Sea portrays children at play, and the toy is a sailing boat in the shallow water. [2] In Dutch the painting is known as Kinderen Der ...
By projecting all three images onto a screen simultaneously, he was able to recreate the original image of the ribbon. #4 London, Kodachrome. Image credits: Chalmers Butterfield
Beasts of the Sea (French: Les bêtes de la mer) is a paper collage on canvas by Henri Matisse from 1950. It is currently in the collection of the National Gallery of Art, Washington, D.C. [1] During the early-to-mid-1940s Matisse was in poor health. Eventually by 1950 he stopped painting in favor of his paper cutouts.
In part, marine art served as a visual portrayal of Britain's power on the sea and as a way of historically documenting battles and the like. [4] As British sea captains began to recognize the ability of marine artists to bring Britain's success on the sea to the public on land, some took on an active role in supporting this type of artwork.
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