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String gauge refers to the thickness and diameter of a guitar string, which influences the overall sound and pitch of the guitar depending on the guitar string used. [17] Some alternative tunings are difficult or even impossible to achieve with conventional guitars due to the sets of guitar strings, which have gauges optimized for standard tuning.
The lower finger is usually in position and pressing before the procedure begins. Three specific descending slurs exist, (1) the active finger lifts directly up and off the string, (2) the active finger rests against the adjacent string immediately after, and (3) a hybrid of these two in which the finger bumps the adjacent string before lifting ...
In modern scores, the fingers are numbered from 1 to 5 on each hand: the thumb is 1, the index finger is 2, the middle finger is 3, the ring finger is 4 and the little finger is 5. Earlier usage varied by region. In Britain in the 19th century, the thumb was shown by a cross (+) or number 0 and the fingers were numbered from 1 to 4.
The predecessor of today's six-string classical guitar was the five-string baroque guitar tuned as the five high strings of a six-string guitar with the A raised one octave. High C – E-A-d-g-c' Standard tuning with the B tuned a half step higher to C to emulate a six-string bass guitar, minus the low B. This is an all fourths tuning.
Flatpicking is a technique for playing a guitar using a guitar pick held between two or three fingers to strike the strings. The term flatpicking occurs with other instruments, but is probably best known in the context of playing an acoustic guitar with steel strings—particularly in bluegrass music and old-time country music.
Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking (plucking individual notes with a single plectrum, commonly called a "pick"). The term "fingerstyle" is something of a misnomer, since it is present ...
Apoyando ("supporting") is a method of brushing the string used in both classical guitar and flamenco guitar known in English as "rest stroke." The rest stroke gets its name because after brushing the string, the finger rests on the adjacent string after it follows through, giving a slightly rounder, often punchier sound (contrasted with tirando).
The harpejji is a tapping instrument which is played on a stand, like a keyboard, with fingers typically parallel to the strings rather than perpendicular. All of these instruments use string tensions less than a standard guitar, and low action to increase the strings' sensitivity to lighter tapping.
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