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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Mahavir Prasad Dwivedi (15 May 1864 – 21 December 1938) was an Indian Hindi writer and editor. Adhunikkaal, or the Modern period of the Hindi literature, is divided into four phases, and he represents the second phase, known as the Dwivedi Yug (1893–1918) after him, which was preceded by the Bharatendu Yug (1868–1893), followed by the Chhayavad Yug (1918–1937) and the Contemporary ...
Literature can be described as all of the following: Communication – activity of conveying information. Communication requires a sender, a message, and an intended recipient, although the receiver need not be present or aware of the sender's intent to communicate at the time of communication; thus communication can occur across vast distances in time and space.
Mahadevi Verma (26 March 1906 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and eminent personality of Hindi literature. She is considered one of the four major pillars [a] of the Chhayawadi era in Hindi literature. [1] She has also been addressed as the Modern Meera. [2]
Around the same time, he also started writing about children’s education in Dinaman and came under the influence of its editor, Raghuvir Sahay, a major poet and writer of modern Hindi. Kumar’s first book, Raj, Samaj aur Shiksha, presents a revised version of some of the essays first published in Dinaman.
Ram Chandra Shukla (4 October 1884 – 2 February 1941), [1] better known as Acharya Shukla, was an Indian historian of Hindi literature. He is regarded as the first codifier of the history of Hindi literature in a scientific system by using wide, empirical research [2] with scant resources.
Scientists thought that Lake Enigma was frozen from top to bottom. Then they discovered that water—and mysterious lifeforms—existed 11 meters below the surface.
Kuber Nath Rai dedicated his writing entirely to the form of the essay. [3] His collections of essays Gandha Madan, Priya neel-kanti, Ras Aakhetak, Vishad Yog, Nishad Bansuri, Parna mukut have enormously enriched the form of essay. [3] A scholar of Indian culture and western literature, he was proud of Indian heritage. [3]