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Michael the Brave (Romanian: Mihai Viteazul) is a Romanian historic epic film, directed by Sergiu Nicolaescu and starring Amza Pellea in the leading role. The film is a representation of the life of Wallachia's ruler Michael the Brave, and his will to unite the three Romanian principalities (Wallachia, Moldavia, and Transylvania) into one country.
Hotel Transylvania 2 has grossed $169.7 million in North America and $303.5 million elsewhere, for a worldwide total of $473 million, against a budget of $80 million. [7] Deadline Hollywood calculated the net profit of the film to be $159.48 million, when factoring together all expenses and revenues for the film. [26]
The first film, Hotel Transylvania, was released in September 2012, with two sequels, Hotel Transylvania 2 and Hotel Transylvania 3: Summer Vacation, released in September 2015 and July 2018, respectively. The films have received mixed reviews from critics and grossed over $1.3 billion worldwide against a combined production budget of $245 million.
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Michael the Brave (Romanian: Mihai Viteazul [miˈhaj viˈte̯azul] or Mihai Bravu; 1558 – 9 August 1601), born as Mihai Pătrașcu, was the Prince of Wallachia (as Michael II, 1593–1601), Prince of Moldavia (1600) and de facto ruler of Transylvania (1599–1600).
In late 1600, the Polish–Lithuanian Commonwealth and Moldavia invaded Wallachia and chased out Nicolae, replacing him with Simion Movilă. Michael was also chased out of Transylvania by his former ally Giorgio Basta and a large faction of the Hungarian nobility. In negotiating his peace with the latter, he sent Nicolae and Stanca as hostages.
The territory, historically part of Moldavia, was one of the five districts of Dorohoi County.Following the Molotov–Ribbentrop Pact of August 23, 1939, the Soviet Union issued on June 26, 1940, an ultimatum to Romania that threatened the use of force. [2]
At the end of the 8th century the establishment of the Khazar Khaganate north of the Caucasus Mountains created an obstacle in the path of nomadic people moving westward. [1] [2] In the following period, the local population of the Carpathian–Danubian area profited from the peaceful political climate and a unitary material culture, called "Dridu", that developed in the region.
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