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In 1968, New Zealand composer Annea Lockwood wrote a piece called Piano Burning. [21] The score specifies that the performer uses an upright piano that is beyond repair. In the composer's words, Piano burning should really be done with an upright piano; the structure is much more beautiful than that of a grand when you watch it burn.
The Compositions 1960 are a set of text-based musical pieces written in 1960 by composer La Monte Young.Building on the work of John Cage, these pieces are unique in their emphasis on performance art and unconventional actions, such as releasing a butterfly into the room (#5), building a fire in front of the audience (#2), or pushing a piano into a wall (Piano Piece for Terry Riley #1).
According to Alfred Cortot it is "one of the most exciting and original works in the whole literature of French piano music". [3] Unlike much nineteenth century writing for the pianoforte, the instrument is treated almost like an orchestra, and "foreshadows innovations in pianistic technique introduced by Ravel in Gaspard de la nuit and Debussy ...
A music box (American English) or musical box (British English) is an automatic musical instrument in a box that produces musical notes by using a set of pins placed on a revolving cylinder or disc to pluck the tuned teeth (or lamellae) of a steel comb.
Trio for violin, oboe and piano, Artemis (2nd mov.) [2] Prelude No. 9 [2] [3] Mazurka No. 1 [2] Madeleine Dring; Lilliburlero Variations for Two Pianos [4] Prince Edmond de Polignac; Échos de l'Orient judaïque (1879) [5] "Chant à la lune", incidental music to Salammbô (1886) [6] Joseph Haydn; String Quartet in F minor, Op. 20 No. 5 [7] The ...
It is a generic name for any composition for the instrument, but when used in a title (Piano Piece, Piece for Piano) the name is used to indicate a (usually) single-movement composition for solo piano that has not been given a more specific name (such as Sonatina, Allegro de concert or Le Bananier), for example:
Her series Piano Transplants utilized burning, drowning, or planting pianos in locations across the United Kingdom and United States. [4] In the 1970s, Lockwood began to compose music that could be classified as performance art pieces, as the essence of the compositional ideas made the audience and environment agents in one piece.
Paysage is riddled with rhythmic and harmonic games, not least the absence throughout of a single clear four-bar phrase; the piece's opening section, all in three-bar phrases, makes two teasing feints at four-bar phrases, both thwarted. [4] Poulenc suggests that the piece should be played with "allegresse et tendresse". [5] Mélancolie (Melancholy)
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