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José Clemente Orozco (November 23, 1883 – September 7, 1949) was a Mexican caricaturist [1] and painter, who specialized in political murals that established the Mexican Mural Renaissance together with murals by Diego Rivera, David Alfaro Siqueiros, and others.
Prometheus (Spanish: Prometeo) is a fresco by Mexican muralist José Clemente Orozco [4] depicting the Greek Titan Prometheus stealing fire from the heavens to give to humans. [2] It was commissioned for Pomona College 's Frary Dining Hall and completed in June 1930, [ 4 ] becoming the first modern fresco in the United States.
The Epic of American Civilization is a mural by the social realist painter José Clemente Orozco.It is located in the basement reading room of the Baker Memorial Library on the campus of Dartmouth College in Hanover, New Hampshire.
The highlight of the interior decoration is a series of monumental frescoes by José Clemente Orozco, including one of his most famed creations, the allegory of The Man of Fire (1936–39). Hospicio Cabañas was made a Unesco World Heritage site in 1997. [2]
The museum has permanent and temporary art and archeological exhibitions in addition to the many murals painted on its walls by José Clemente Orozco, Fernando Leal, Diego Rivera, and others. [ 3 ] [ 4 ] The complex is located between San Ildefonso Street and Justo Sierra Street in the historic center of Mexico City .
Mural by Diego Rivera showing the pre-Columbian Aztec city of Tenochtitlán.In the Palacio Nacional in Mexico City.. Mexican muralism refers to the art project initially funded by the Mexican government in the immediate wake of the Mexican Revolution (1910–1920) to depict visions of Mexico's past, present, and future, transforming the walls of many public buildings into didactic scenes ...
This preference for indigenous elements continued into the first half of the 20th century, with the Social Realism or Mexican muralist movement led by artists such as Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco, and Fernando Leal, who were commissioned by the post-Mexican Revolution government to create a visual narrative of ...
In addition, there are murals by José Clemente Orozco, David Alfaro Siqueiros and Juan O'Gorman. [22] At the foot of the hill, there is a large monument to the Niños Héroes (also called the Altar a la Patria), who reportedly threw themselves to their death at the Castle rather than surrendering to invading US troops in 1847. [2]