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Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
Guitar chord; B. Barre chord; C. Chord diagram (music) ... Chord diagram (music) M. Mel Bay's Deluxe Encyclopedia of Guitar Chords; O. Open chord; P. Power chord This ...
A chord diagram may refer to: . Chord diagram (music), a diagram showing the fingering of a chord on a guitar or other fretted musical instrument Chord diagram (information visualization), a diagram showing a many-to-many relationship between objects as curved arcs within a circle
Chord Bible is the generic name given to a variety of musical theory publications featuring a large number of chord diagrams for fretted stringed instruments. The subject matter applies exclusively to chordophones , stringed musical instruments capable of playing more than one note at a time.
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
In music, a guitar chord is a set of notes played on a guitar. A chord's notes are often played simultaneously, but they can be played sequentially in an arpeggio . The implementation of guitar chords depends on the guitar tuning.
The first circle of fifths diagram appears in the Grammatika (1677) of the composer and theorist Nikolay Diletsky, who intended to present music theory as a tool for composition. [7] It was "the first of its kind, aimed at teaching a Russian audience how to write Western-style polyphonic compositions."
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