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The band has sold over 75 million records worldwide, [1] including more than 26.5 million in certified album sales in the United States. [2] Green Day released their first two studio albums, 1,039/Smoothed Out Slappy Hours (1991) (consisting of the original 39/Smooth as well as their first two EPs 1,000 Hours and Slappy) and Kerplunk (1991 ...
The album debuted at number 13 on the US Billboard 200 chart, with first-week sales of 58,000 copies in the United States. This became the second consecutive Green Day album, after ¡Dos! , not to sell 100,000 records in its first week after signing to a major record label.
Saviors debuted at number four on the Billboard 200 with 49,000 album-equivalent units including 39,000 pure album sales, 9,500 streaming equivalent units and 500 track equivalent albums. [46] An additional 7,000 traditional albums (CD, vinyl, cassette and digital downloads) were sold in the second week, 6,000 copies were sold in the third week.
For their sixth album, Green Day initially hired producer Scott Litt, who guided R.E.M.’s mid-career pivot towards expansive, acoustic-driven albums like Out of Time and Automatic for the People ...
The following is a list of the best-selling albums in the United States based on RIAA certification and Nielsen SoundScan sales tracking. The criteria are that the album must have been published (including self-publishing by the artist), and the album must have achieved at least a diamond certification from the RIAA. The albums released prior ...
Warning is the sixth studio album by the American rock band Green Day, released on October 3, 2000, by Reprise Records. [1] Building upon its predecessor Nimrod (1997), it eschewed the band's trademark punk rock sound and incorporated acoustic elements and pop and folk styles.
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Green Day's previous album Dookie (1994), their first for a major label, was approaching the ten-million sales mark by the time of recording Insomniac, and the band's success saw them rejected by the punk circles in which the group got their start. [8] The group also began performing at large venues such as coliseums and hockey arenas. [9]