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The joke also appears in the Spanish poem Reír Llorando [44] ("Laughing While Crying") by the late 19th century Mexican poet Juan de Dios Peza. [45] The poem tells of an English actor called Garrick that a doctor recommends to his patient as the only cure for his loss of interest in life, whereupon the patient reveals that he indeed is Garrick.
Catullus 49 is a poem by the Roman poet Gaius Valerius Catullus (c. 84–c. 54 BC) sent to Marcus Tullius Cicero as a superficially laudatory poem. Like the majority of Catullus' poems, the meter of this poem is hendecasyllabic. This is also the only time Cicero is ever mentioned in any of Catullus' poems.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
It has been noted that in poems 2 to 26 the opening of the line is nearly [108] always a spondee (– –), as in the above two examples, but in poems 27 to 60, as well as in poem 1, Catullus often begins a line with an iamb (ᴗ –), or a trochee (– ᴗ). This suggests that Catullus changed his practice as he continued to write his poems ...
For example, the phrase, "John, my best friend" uses the scheme known as apposition. Tropes (from Greek trepein, 'to turn') change the general meaning of words. An example of a trope is irony, which is the use of words to convey the opposite of their usual meaning ("For Brutus is an honorable man; / So are they all, all honorable men").
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"Good 4 U" is an electro-tinged [9] rock, [10] pop-punk, [11] pop rock, [12] teen pop, [13] and emo [14] song with alternative influences. [15] According to MusicNotes, it is composed in the key of F#Minor with a tempo of 85 beats per minute. [16] Its instrumentation is driven by a set of 1990s-inspired electric guitars and bass. [15]