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The Watkins Copicat is an effects unit that produces tape delay and reverb effects. One of the first commercially available tape delay units, [1] the original Copicat model was produced by Watkins Electric Music beginning in 1958. The Copicat became one of Watkins' most successful products, and the company produced various Copicat models and ...
It involved delaying the recorded (dry) signal, sending it into the studio's echo chamber using a tape machine. The dry signal (without delay) was also sent to the chamber via the tape machine's replay head. The resulting sound was picked up by two condenser microphones. These microphones then fed the wet signal back to the recording console. [5]
In 1973, Roland released the RE-100 and RE-200 tape delay units, which used a short 1/4" tape loop. [1] In 1974, Roland released the first Space Echo units in two models: the RE-101 and the RE-201, which also included spring reverb. [1] Instead of the tape reel used in previous tape echo units, the Space Echo uses a free-running tape transport ...
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Best Tape Measures. Best Overall: Stanley 25-Foot Tape Measure. Best Lighted Option: Komelon LED Light Tape Measure. Best Auto-Lock: Komelon SL2825 Self-Lock Power Tape. Easiest to Read: FastCap ...
Echoplex EP-2. The Echoplex is a tape delay effects unit, first made in 1959.Designed by engineer Mike Battle, [1] the Echoplex set a standard for the effect in the 1960s; according to Michael Dregni, it is still regarded as "the standard by which everything else is measured."
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On 1 October 1947, Bing Crosby became the first American musician to release music via tape broadcast. In 1953, Les Paul demonstrated live looping on the television show Omnibus. [3] In 1963, musician and performer Terry Riley released an early tape loop piece called “The Gift”, featuring the trumpet playing of Chet Baker.