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The nyckelharpa (Swedish: [ˈnʏ̂kːɛlˌharːpa], plural nyckelharpor), meaning "keyed fiddle" or "key harp" (lit.), is a bowed chordophone from Sweden, similar in appearance to a fiddle or violin but larger (in its earlier forms essentially a modified vielle), which employs key-actuated tangents along the neck to change the pitch during play, much like a hurdy-gurdy.
In 1971 Julien Musafia published his book "The Art of Fingering in Piano Playing" (M.C.A., New York, N.Y., 90 pages). [3] The book includes musical examples mostly from the Beethoven's Violin and Piano Sonatas and from the Preludes and Fugues of Shostakovich.
The violin is played either seated or standing up. Solo players (whether playing alone, with a piano or with an orchestra) play mostly standing up (unless prevented by a physical disability such as in the case of Itzhak Perlman). In contrast, in the orchestra and in chamber music it is usually played seated.
The following is a partial list of concertos by Joseph Haydn (1732–1809). In the Hoboken catalogue of Haydn's works, concertos for most instruments are in category VII with a different letter for each solo instrument (VIIa is for violin concertos, VIIb is for cello concertos, etc.).
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Six Melodies is a collection of six pieces for violin and keyboard instrument by John Cage. It was composed in 1950, shortly after Cage completed his String Quartet in Four Parts. The work uses the same techniques: [1] the gamut technique and the nested rhythmic proportions. First, a fixed number of sonorities (single tones, intervals and ...
A man playing the violin. It is possible to play the violin holding it in a variety of ways. Most players hold the lower bout of the instrument between the left shoulder and the jaw, often assisted by a semi-permanently attached chinrest and detachable shoulder rest. If held properly under the chin, the violinist can let go of the instrument ...
A violin sonata is a musical composition for violin, often accompanied by a keyboard instrument and in earlier periods with a bass instrument doubling the keyboard bass line. The violin sonata developed from a simple baroque form with no fixed format to a standardised and complex classical form.
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