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In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter: . A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.
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Media in category "Rhythm and meter" The following 3 files are in this category, out of 3 total. Nono - Variazioni canoniche, rhythmic values row.png 273 × 81; 2 KB
Measured rhythm is where each time value is a multiple or fraction of a specified time unit but there are not regularly recurring accents (additive rhythm). Free rhythm is where the time values are not based on any fixed unit; since the time values lack a fixed unit, regularly recurring accents are no longer a possibility.
In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter:. A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.
Sub-Saharan African rhythm is divisive rhythm. However, perhaps because of their seemingly asymmetric structure, bell patterns are sometimes perceived in an additive rhythmic form. For example, Justin London describes the five-stroke version of the standard pattern as "2-2-3-2-3", [ 39 ] while Godfried Toussaint describes the seven-stroke form ...
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In Ottoman musical theory, aksak (Ottoman Turkish: آغساق, romanized: aġsak) is a rhythmic system in which pieces or sequences, executed in a fast tempo, are based on the uninterrupted reiteration of a matrix, which results from the juxtaposition of rhythmic cells based on the alternation of binary and ternary quantities, as in 2+3, 2+2+3, 2+3+3, etc.