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Modal tunings are open tunings in which the open strings of the guitar do not produce a tertian (i.e., major or minor, or variants thereof) chord. The strings may be tuned to exclusively present a single interval (all fourths; all fifths; etc.) or they may be tuned to a non-tertian chord (unresolved suspensions such as E–A–B–E–A–E ...
The advantage of these tunings is that they allow an extended upper note range versus a capo used with standard tuning which limits the number of notes that can be played; in some cases, instruo B ♭ or E ♭ (such as saxophones, which were frequently encountered in early rock and roll music) are more easily played when the accompanying guitar ...
B minor is a minor scale based on B, ... (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, ...
[11] [12] Like minor-thirds tuning (and unlike all-fourths and all-fifths tuning), major-thirds tuning is a repetitive tuning; it repeats its octave after three strings, which again simplifies the learning of chords and improvisation; [13] similarly, minor-thirds tuning repeats itself after four strings while augmented-fourths tuning repeats ...
As such, a performer or arranger who wished to add variety to the song could try using a chord substitution for a repetition of this progression. One simple chord substitute for IV is the "ii" chord, a minor chord built on the second scale degree. In the key of C major, the "ii" chord is "D minor", which is the notes "D, F, and A".
New standard tuning (NST) is an alternative tuning for the guitar that approximates all-fifths tuning.The guitar's strings are assigned the notes C2-G2-D3-A3-E4-G4 (from lowest to highest); the five lowest open strings are each tuned to an interval of a perfect fifth {(C,G),(G,D),(D,A),(A,E)}; the two highest strings are a minor third apart (E,G).
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This is because the ascending melodic minor scale has a raised sixth and seventh degree. For example, the chord progression ♯ vii o –i is common. The leading-tone diminished triad and supertonic diminished triad are usually found in first inversion (vii o 6 and ii o 6 , respectively) since the spelling of the chord forms a diminished fifth ...