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The base cloth includes water proof material for umbrellas, velvet for tents, cotton, and threads. [6]Mythical and natural figures are used for the work, including peacocks, ducks, parrots, trees, elephants, creepers, flowers such as jasmine and lotus, the Sun, half-moon, and Rahu (a mythical demon who once swallowed up the sun).
Paj Ntaub or flower cloth is a traditional form of Hmong embroidery practiced exclusively by women. This unique form of embroidery utilizes a wide variety of stitching techniques such as cross-stitch, chain-stitch, running-stitch, and satin-stitch and often features applique, reverse-applique, and batik elements in the design. [4]
The embroidery techniques, such as buttonhole stitch and cut-pile embroidery, are often simple, but their intricate effects are a result of the skill-level and final pattern design used. For example, hemmed appliqué is a simple technique still used today where raphia cloth pieces are cut into designs and sewn onto the base fabric. The ...
Camel barber art: the hair on camel's skin is trimmed to make amazing patterns on it. This art of camel hair cut is done mostly in desert regions of Sindh, sometimes black color and henna is also used to make different designs. [37] [38] Copper bells: metal bells are made for cattle and other animals; these are used all over Sindh for animals.
Elaborate Maya textiles featured representations of animals, plants, and figures from oral history. [10] In modern times, weaving serves as both an art form and a source of income. [11] Organizing into weaving collectives have helped Maya women earn better money for their work and greatly expand the reach of Maya textiles in the world.
In the context of sewing, an appliqué refers to a needlework technique in which patterns or representational scenes are created by the attachment of smaller pieces of fabric to a larger piece of contrasting colour or texture. [4] [5] Good textiles for appliqué are durable and don't easily fray, like felt and leather. [6]
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