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The Barber of Seville, or The Useless Precaution (Italian: Il barbiere di Siviglia, ossia L'inutile precauzione [il barˈbjɛːre di siˈviʎʎa osˈsiːa liˈnuːtile prekautˈtsjoːne]) is an opera buffa in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini.
The Barber of Seville or the Useless Precaution [1] (French: Le Barbier de Séville ou la Précaution inutile) is a French play by Pierre Beaumarchais, with original music by Antoine-Laurent Baudron. It was initially conceived as an opéra comique, and was rejected as such in 1772 by the Comédie-Italienne.
Several musical adaptations of Il barbiere di Siviglia predated the version by Paisiello, but Paisiello's comic opera was the first to achieve widespread success. It was subsequently staged in several cities in the years immediately following its premiere, including [1] Vienna, where Il barbiere played at five venues from 1783 until 1804, both in Italian and German, and received nearly 100 ...
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Largo al factotum" (Make way for the factotum) is an aria (cavatina) from The Barber of Seville by Gioachino Rossini, sung at the first entrance of the title character, Figaro. The repeated "Figaro"s before the final patter section are an icon in popular culture of operatic singing.
The Barber of Seville (Italian: Il barbiere di Siviglia) is a 1947 Italian opera film directed by Mario Costa and starring Ferruccio Tagliavini, Tito Gobbi and Nelly Corradi. It is an adaptation of Gioachino Rossini's 1816 opera The Barber of Seville. [1]
The Barber of Seville (French: Le Barbier de Séville) is a 1948 French musical film directed by Jean Loubignac [1] It is a screen version of the 1816 opera by Rossini based on the 1775 play by Beaumarchais (in the translation by Castil-Blaze). [2]
The Barber of Seville (French: Le Barbier de Séville), [3] also released as The Barber of Sevilla, or the Useless Precaution, [2] was a 1904 French silent film directed by Georges Méliès, based on the 1775 play of the same name by Pierre Beaumarchais. [1]