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A cine lens, short for cinema lens, is a specialized optical device designed specifically for motion picture production. Unlike standard photographic lenses, cine lenses are built to meet the rigorous demands of filmmaking, offering precise control over focus, aperture, and other key elements essential to cinematic storytelling.
Lens Mount [2] Recording media [3] Codec Maximum video resolution ISO range Dynamic range (at native/peak ISO) Shutter type Anamorphic shooting Internal filters Frame rate(s −1) Arri: Alexa [4] Alexa Plus 23.76 x 13.37 mm 1.52 Arri PL: SxS card, T-link recorder (optional XR module upgrade) [5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
CinemaScope logo from The High and the Mighty (1954). CinemaScope is an anamorphic lens series used, from 1953 [1] to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
Other lenses for the Contax included the Biotar, Biogon, Orthometar, and various Tessars and Triotars. The last important Zeiss innovation before the Second World War was the technique of applying anti-reflective coating to lens surfaces invented by Olexander Smakula in 1935. [8] A lens so treated was marked with a red "T", short for "Transparent".
Angénieux is a French manufacturer of photographic and cinematographic lenses.The main markets are cinema, television, space travel and medicine. The company is part of the Thales Group, which represents Angénieux in 48 countries.
As prime lenses offer greater optical quality and are "faster" (larger aperture openings, usable in less light) than zoom lenses, they are often employed in professional cinematography over zoom lenses. Certain scenes or even types of filmmaking, however, may require the use of zooms for speed or ease of use, as well as shots involving a zoom move.
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