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In 1948–49, Bill Haley fronted a group called the Four Aces of Western Swing – often referred to as simply The Four Aces. The style of music this group played was country and western , and it was with the group that Haley recorded his first singles for the Cowboy Records label in 1948.
In around the mid-1940s, Bill Haley performed with the Down Homers and formed a group called the Four Aces of Western Swing. The group that later became the Comets initially formed as "Bill Haley and the Saddlemen" c. 1949 –1952, and performed mostly country and western songs, though occasionally with a bluesy feel.
As Bill Haley and the Four Aces of Western Swing: 1948 Too Many Parties and Too Many Pals (vocal by Tex King)/Four Leaf Clover Blues (Cowboy CR1201) August 1948 [38] 1949 Tennessee Border/Candy Kisses (Cowboy CR1202) March 1949 [39] As Johnny Clifton and His String Band: 1950 Stand Up and Be Counted/Loveless Blues (Center C102)
A large cache of country-western recordings made by Haley in the 1946–51 era, before the formation of the Comets (also released on Rock 'n' Roll Arrives); An April 1955 concert in Cleveland, Ohio including the earliest known live recordings of "Rock Around the Clock" ( Rock 'n' Roll Show , Hydra Records, 1995);
"Deal Me a Hand" marked the first single released since the partnership was forged between the founding members of the Saddlemen – Bill Haley, Billy Williamson, and Johnny Grande. This group follows Haley's previous endeavor, "Bill Haley and the 4 Aces of Western Swing".
With this record, Haley attempted to return to his roots as a country music singer, by recording an album of classic country and western songs, one of which, "Candy Kisses", Haley had previously recorded in 1948 for his first single with the Four Aces of Western Swing.
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[4] The song contains a similar theme as Hank's own "Men with Broken Hearts" but, like "The Funeral," somehow lacks the down-to-earth gravitas that characterized his own lyrics. Williams recorded the song in Nashville at Castle Studio at the first Luke the Drifter session on January 10, 1950, with Fred Rose producing.