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"Gibson Girl" is a song written, produced, and recorded by American singer-songwriter and record producer Ethel Cain for her debut studio album, Preacher's Daughter (2022). It was released on March 17, 2022, as the album's lead single. A sexy and suspenseful song, it explores "fresh aspects of femme energy". [1] "
On August 21, the song peaked at number 30 on the Billboard Adult Top 40 chart, spending 26 weeks there. [29] The song received the Modern Rock Track of the Year award at the 1999 Billboard Music Awards. [30] The song topped the year-end Modern Rock Tracks chart and appeared at number 18 on the year-end Mainstream Rock Tracks chart.
The song was one of five tracks recorded (including two versions of the "B" side, "Rockabye Boogie") on May 23, 1953. The musicians for the sessions were Chet Atkins, lead guitar; Velma E. Williams Smith, guitar; Jerry Byrd, steel guitar; Ernie Newton, bass; and Hal Smith, fiddle. The session, The Davis Sisters' first in Nashville, Tennessee ...
The song is notable for being the last time the Beatles performed a song for the BBC that wasn't recorded for EMI. The song is also notable for its double-time rhythmic changes during the bridge . The band was becoming more experimental at the time; after they recorded " I Call Your Name ", they used that song's ska-influenced middle section ...
American musicologist Robert Walser described "You Really Got Me" as "the first hit song built around power chords." [28] The song has since been labeled as an early influence of the heavy metal genre, with critic Denise Sullivan of AllMusic writing, " 'You Really Got Me' remains a blueprint song in the hard rock and heavy metal arsenal."
The American rock band No Doubt recorded a cover version of the song to promote their first greatest hits album The Singles 1992–2003 (2003). Because the band was on hiatus while lead singer Gwen Stefani recorded her solo debut album, Love. Angel. Music. Baby. (2004), they decided to record a cover to avoid having to write a new song. [30]
The band reworked the song's bluesy structure, adding vocal harmonies and another bridge. [13] [14] According to Desper, "Manson only had a song with basic chords on the guitar and a melody lead line. It was the 'Boys who took that basic concept and turned it into a real commercial tune. ...
The way I sang the song and the way I played my guitar is what I wanted to play. [2] Inaba added: "Otis' passionate vocal melody with alternations of natural voice, falsetto, shouts, and growls, is his singing style indeed". [2] The song is notated in the key of A major in 12/8 time with a "slow blues" tempo. [4]
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