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Soon after his death, Foucault's partner Daniel Defert founded the first national HIV/AIDS organisation in France, AIDES; a play on the French word for "help" (aide) and the English- language acronym for the disease. [171] On the second anniversary of Foucault's death, Defert publicly revealed in The Advocate that Foucault's death was AIDS-related.
LiveLeak aimed to freely host real footage of politics, war, and many other world events and to encourage and foster a culture of citizen journalism, although later being known to host gore and videos with extreme violence. [5] [6] [7] It was eventually shut down on 5 May 2021, with the URL changed to redirect to ItemFix, another video sharing ...
The Lives of Michel Foucault is a 1993 biography of French philosopher Michel Foucault by David Macey. ... Full text at the Internet Archive This page was ...
A hoax beheading video filmed by Benjamin Vanderford, Robert Martin, and Laurie Kirchner in 2004 received wide attention from the American press. [71] The video used Jama'at al-Tawhid wal-Jihad's logo, but not the group's flag. It was originally filmed for Vanderford's local election campaign. [72]
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English: Grave of Michel Foucault (right, inscription: "Paul Michel Foucault / Professeur au Collège de France / 1926 - 1984"), his mother (right, inscription: "Anne Malapert-Foucault / 1900 - 1987") and his father (left, inscription: "Docteur Foucault / 1883 - 1959") at the cemetery of 86380 Vendeuvre-du-Poitou, Route des Sablières
The Foucault Reader, edited by P. Rabinow (1984) Politics, Philosophy, Culture: Interviews and Other Writings, 1977–1984, translated by A. Sheridan, edited by L. D. Kritzman (1988) Foucault Live (2nd ed.), edited by Sylvère Lotringer (1996) The Politics of Truth, edited by Sylvère Lotringer (1997)
Foucault's introduction to the epistemic origins of the human sciences is a forensic analysis of the painting Las Meninas (The Ladies-in-waiting, 1656), by Diego Velázquez, as an objet d'art. [6] For the detailed descriptions, Foucault uses language that is "neither prescribed by, nor filtered through the various texts of art-historical ...