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"Cotton-Eyed Joe" (also known as "Cotton-Eye Joe") (Roud 942) is a traditional American country folk song popular at various times throughout the United States and Canada, although today it is most commonly associated with the American South.
"Cotton Eye Joe" is a song by the Swedish Eurodance group Rednex, released in August 1994 by Jive and Zomba as the lead single from their debut studio album, Sex & Violins (1995). Based on the traditional American folk song " Cotton-Eyed Joe ", it blends the group's Eurodance style with traditional American instruments like the banjo [ 5 ] and ...
When the team moved to their new facility in 1994, The Ballpark in Arlington (now Choctaw Stadium), "Take Me Out to the Ballgame" was added to 7th-inning stretch, followed by "Cotton-Eyed Joe". Somewhat unusual for a 7th-inning stretch song, the version of "Cotton-Eyed Joe" played is an instrumental, by Al Dean from the album Plays for Urban ...
2009: Cotton Eye Joe Show (Band name, when the Rednex lineup Ljungberg, Lundström and Sylsjö lost the rights to perform under the Rednex trademark) 2012: Rednex NZ (An entire separate created Rednex group to perform in Australia and New Zealand consisting of Murphy, Sibbald and Roggen) [ 16 ]
"Cotton Eye Joe (Remix)" Released: 2002 The Best of the West is the title of the first compilation album released by Swedish dance group Rednex compiling almost all previously released Rednex singles, except the promotional single "Riding Alone".
But several of the songs that are supposed to lift people’s spirits actually have some depressing origins stories. Others were made in homage to family members or inspired by poems or written to ...
Josie Cotton says with a laugh,about the early-80s when “Johnny Are You Queer?” hit airwaves. April 29thmarked Valley Girl’s forty-year-release anniversary, and though “Johnny Are You ...
British newspaper Lennox Herald noted that "Old Pop in an Oak" is a "similar sounding song" to their previous single, "Cotton Eye Joe". [2] A reviewer from Manila Standard described it as "techno-pop fun". [3] Pan-European magazine Music & Media viewed it as a "C&W/dance mixture". [4]