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In Persian, Turkic, and Urdu ghazals, the radīf (from Arabic رديف; Persian: ردیف; Azerbaijani: rədif; Turkish: redif; Urdu: ردیف; Uzbek: radif) is the word which must end each line of the first couplet and the second line of all the following couplets. [a] It is preceded by a qafiya, which is the actual rhyme of the ghazal. [1] [2 ...
The Lataif-e-Sitta are the most common forms of this transmitted spiritual energy. An example of such Latifa transmission by the teacher includes physical touch (except for women) and the disclosure to the student of the specific one of the Names of God in Islam that is associated with the Latifa.
"Zaroori Tha" by Rahat Fateh Ali Khan is the most-viewed Pakistani video on YouTube. It is also the first Pakistani video to reach 1 billion views. On the American video-sharing website YouTube, "Tajdar-e-Haram" sung by Atif Aslam became first Pakistani music video to cross 100 million views.
The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...
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The English word lataif is the plural of the transliterated Arabic word laṭīfa that stems from the tripartite verb la-ṭa-fa, which means "to be subtle". [ 28 ] It assumed a spiritual meaning in the Quran where Al- Latif is the 30th of the 99 names of God in Islam , reflecting His subtle nature.
Khoda, which is Persian for God, and hāfiz which is the Arabic word for "protector" or “guardian”. [5] The vernacular translation is, "Good-bye". The phrase is also used in the Azerbaijani, Sindhi, Urdu, Hindi, Bengali and Punjabi languages. [5] [6] It also can be defined as "May God be your protector."
The word kafi, is of Arabic origin, used in the sense of "final" or "enough" in the expression “Allah Kafi”, which means, “God Almighty is Supreme”. Thus the kafi is a devotional form of music composed in a particular form derived from a mixture of classical, semi-classical, and light music forms (specifically, the khayal , tappa ...