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Disruptive coloration. The coloration of the Papuan frogmouth Podargus papuensis, its outline disrupted by its plumage, its eye concealed in a stripe, is an effective anti-predator adaptation. Disruptive coloration (also known as disruptive camouflage or disruptive patterning) is a form of camouflage that works by breaking up the outlines of an ...
Countershading, or Thayer's law, is a method of camouflage in which an animal's coloration is darker on the top or upper side and lighter on the underside of the body. [1] This pattern is found in many species of mammals, reptiles, birds, fish, and insects, both in predators and in prey. When light falls from above on a uniformly coloured three ...
Camouflage is the use of any combination of materials, coloration, or illumination for concealment, either by making animals or objects hard to see, or by disguising them as something else. Examples include the leopard 's spotted coat, the battledress of a modern soldier, and the leaf-mimic katydid 's wings.
Animal colouration is the general appearance of an animal resulting from the reflection or emission of light from its surfaces. Some animals are brightly coloured, while others are hard to see. In some species, such as the peafowl, the male has strong patterns, conspicuous colours and is iridescent, while the female is far less visible.
A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject.
The following outline is provided as an overview of and topical guide to zoology: . Zoology – study of animals.Zoology, or "animal biology", is the branch of biology that relates to the animal kingdom, including the identification, structure, embryology, evolution, classification, habits, and distribution of all animals, both living and extinct, and how they interact with their ecosystems.
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Drawings of humans were rare and are usually schematic as opposed to the more detailed and naturalistic images of animal subjects. Kieran D. O'Hara, geologist, suggests in his book Cave Art and Climate Change that climate controlled the themes depicted. [29] Pigments used include red and yellow ochre, hematite, manganese oxide and charcoal.
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