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Title sequence of the 1932 film A Farewell to Arms. Since the invention of the cinematograph, simple title cards were used to begin and end silent film presentations in order to identify both the film and the production company involved, and to act as a signal to viewers that the film had started and then finished.
Silent Movie is a 1976 American satirical silent comedy film co-written, directed by and starring Mel Brooks, released by 20th Century Fox in summer 1976. The ensemble cast includes Dom DeLuise, Marty Feldman, Bernadette Peters, and Sid Caesar, with cameos by Anne Bancroft, Liza Minnelli, Burt Reynolds, James Caan, Marcel Marceau, and Paul Newman as themselves, and character cameos by Harry ...
Silent-film actors emphasized body language and facial expression so that the audience could better understand what an actor was feeling and portraying on screen. Much silent film acting is apt to strike modern-day audiences as simplistic or campy. The melodramatic acting style was in some cases a habit actors transferred from their former ...
An iris shot is a technique used in silent film and television sometimes to emphasize a detail of a scene above all others, more commonly to end or open a scene. [1] [2] The film camera's iris is slowly closed or opened, so that what is visible on film appears in a decreasing or increasing circle, surrounded by black.
Pages in category "American silent film actresses" The following 200 pages are in this category, out of approximately 1,144 total. This list may not reflect recent changes .
Renée Adorée (born Jeanne de la Fonte [ʒɑ̃ de lɑ fɔn.te]; 30 September 1898 – 5 October 1933) was a French stage and film actress who appeared in Hollywood silent movies during the 1920s. She is best known for portraying the role of Melisande, the love interest of John Gilbert in the melodramatic romance and war epic The Big Parade .
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City Lights (1931) and Modern Times (1936) were essentially silent films, although they were made with soundtracks consisting of music and sound effects, with talking sequences in the latter film. Chaplin's last five films were all talking pictures. Aside from A Countess From Hong Kong, all of Chaplin's films were photographed in 35mm black-and ...