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The related term jazz-samba describes an adaptation of bossa nova compositions to the jazz idiom by American performers such as Stan Getz and Charlie Byrd. Bossa nova was made popular by Elizete Cardoso 's recording of Chega de Saudade on the Canção do Amor Demais LP , composed by Vinícius de Moraes (lyrics) and Antonio Carlos Jobim (music).
2 – Lennart Ginman, Danish bassist, composer, and music producer. 19 – Eliane Elias , Brazilian pianist and vocalist. 21 – Dominic Miller , Argentinian guitarist and composer, Sting .
1960s -> Continental jazz: Early jazz dance bands of Europe in the swing medium, to the exclusion of Great Britain. Cool jazz: Contrasts with the hard, fast sound of bebop. A more relaxed, subdued style, with more formal arrangements and elements of swing and classical. 1940s–1960s Crossover jazz: Artists mix different styles of music into ...
This is one [of] the most intimate jazz shows captured on tape during the 1960s. It gives record buyers the sound of a band in full possession of their considerable capabilities, celebrating them in a relaxed environment, playing their own brand of grooved-out '60s jazz".
Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
"Washington Square" was a hit single, reaching No. 2 on the Billboard Hot 100 chart in the week ending 23 November 1963, [4] kept from the summit of the Billboard Hot 100 by Dale and Grace's hit song "I'm Leaving It Up to You". [5] "
For a list of the core jazz standards, see the following lists by decade: . Before 1920; 1920s; 1930s; 1940s; 1950s and later; For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.