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"You Belong with Me" is a song by the American singer-songwriter Taylor Swift and the third single from her second studio album Fearless (2008). Big Machine Records released the song to radio on April 20, 2009.
"Lovesong" (sometimes written as "Love Song") is a song by English rock band the Cure, released as the third single from their eighth studio album, Disintegration (1989), on 21 August 1989. The song saw considerable success in the United States, where it reached the number-two position in October 1989 and became the band's only top-10 entry on ...
Chris Willman of Variety wrote that while "it's lovely to hear [Swift and Urban] together", the song does not feel as immersive in comparison to the other songs that made it into the original album, and he dubbed the track and the chords as "a slightly more balladic version" of the fellow album track "You Belong with Me" (2009), which he deemed ...
Taylor Swift was head over heels when Travis Kelce stepped up to the DJ booth at a Super Bowl LVIII afterparty so he could jam out to “You Belong With Me,” a Swift classic from her 2008 album ...
"Teardrops on My Guitar" is a song by the American singer-songwriter Taylor Swift, who wrote it with Liz Rose. In the United States, the song was the second single from Swift's 2006 self-titled debut album; Big Machine Records released it to country radio on February 20, 2007, and to pop radio as a crossover single on November 9, 2007.
Taylor Swift and Travis Kelce proved they have a fairy tale type of love with a post-Super Bowl singalong to some of her biggest hits.. Kelce, 34, and the Kansas City Chiefs celebrated their Super ...
Swift used Shakespeare's Romeo and Juliet as a reference point for "Love Story"; the balcony scene (pictured) is referenced in the song's opening lines. [1]Taylor Swift moved from Pennsylvania to Nashville, Tennessee, in 2004 to pursue a career as a country singer-songwriter, [2] and in 2006, she released her first album Taylor Swift at 16 years old. [3]
Quinn Moreland from Pitchfork picked it as one of the best songs of Swift's career, and praised the nuanced, mature perspective compared to the 2010 track "Dear John". [29] In The Atlantic , Shirley Li commented that despite the media gossip that surrounded the subject behind "Would've, Could've, Should've", the track would stand the test of ...