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The large fresco is an example of Maniera art and is found on the south wall of the chapel. [4] It is framed by fictive architectural elements including columns and an arch that provide the illusion the scene is contained in a lunette. The spandrels in the upper corners boast medallions and draperies to complete the illusion. [5]
On the side walls are the matching pyramidal wall tombs of Agostino Chigi (died 1520) and his brother Sigismondo (died 1526), each represented in a medallion, looking towards the altar. The monuments were probably designed by Raphael but their execution was left to Lorenzetto who nearly finished one tomb in 1522.
Roman fresco with a banquet scene from the Casa dei Casti Amanti, Pompeii The Pompeian Styles are four periods which are distinguished in ancient Roman mural painting.They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii, which is one of the largest groups of surviving Roman frescoes.
France. French Gothic stained glass windows were an important feature of French Gothic architecture, particularly cathedrals and churches built between the 12th century and 16th century. While stained glass had been used in French churches in the Romanesque period, the Gothic windows were much larger, eventually filling entire walls.
The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations.
Medallion (architecture) A medallion is a round or oval ornament [1] that frames a sculptural or pictorial decoration in any context, but typically a façade, an interior, a monument, or a piece of furniture or equipment. Ancient Roman round versions are called an imago clipeata, from the clipeus or Roman round shield.
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