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Chocolate and Cheese is the fourth studio album by the American rock band Ween, originally released by Elektra Records in 1994. It was the first Ween album to be recorded in a professional studio, in contrast to the four-track home recordings of The Pod and Pure Guava.
In 2011, Chocolate and Cheese would have a book written about it by Hank Shteamer, as a part of the 33⅓ book series about music albums. Of recording the album, Dean Ween said, "I saw someone wrote a book about Chocolate and Cheese, and my son put it in the bathroom. I was reading through it.
In 1994 Chocolate and Cheese was released, which spawned the singles "Voodoo Lady", "Freedom of '76", and "I Can't Put My Finger on It". Ween's next album, released in 1996, was titled 12 Golden Country Greats and was recorded with several prominent
'Chocolate and Cheese' was Ween's first album made in a professional studio after several years of four track-recorded audio madness.
The song slowly winds down at the end, with a final blast of sound finishing the song. The EP's title track also appears on the band's 1994 album Chocolate and Cheese. It is also one of two Ween songs — the other being "Push th' Little Daisies" — to chart on the US Billboard Modern Rock Tracks chart, peaking at number 32. [3]
The Mollusk is the sixth studio album by American rock band Ween, released by Elektra Records on June 24, 1997. It is a multi-genre concept album with a dark nautical theme, with most songs incorporating elements from psychedelia and/or sea shanties, while also featuring a heavy progressive rock influence.
In August 2016 the Dean Ween Group's debut album, The Deaner Album, was announced with the release of the first track entitled "Mercedes Benz". [10] On October 7, 2016 Melchiondo's first-ever solo music video was released for the song "Exercise Man", [ 11 ] the music video was directed by Monica Hampton .
The album takes its name from the band's apartment where the album was recorded, which the band nicknamed "The Pod". [9] The album's cover art is a takeoff of the 1975 The Best of Leonard Cohen cover; Ween simply positioned a photo of part-time bassist Mean Ween's head (wearing a "Scotchgard powered bong") over Cohen's cover art, and altered the title text and other graphics. [3]