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Obelisks were prominent in the architecture of the ancient Egyptians, and played a vital role in their religion placing them in pairs at the entrance of the temples.The word "obelisk" as used in English today is of Greek rather than Egyptian origin because Herodotus, the Greek traveler, was one of the first classical writers to describe the objects.
The unfinished obelisk in its quarry at Aswan, 1990. The obelisk and wider quarry were inscribed on the UNESCO World Heritage List in 1979 along with other examples of Upper Egyptian architecture, as part of the "Nubian Monuments from Abu Simbel to Philae" (despite the quarry site being neither Nubian, nor between Abu Simbel and Philae). [2]
The largest known obelisk, the unfinished obelisk, was never erected and was discovered in its original quarry. It is nearly one-third larger than the largest ancient Egyptian obelisk ever erected (the Lateran Obelisk in Rome); if finished it would have measured around 41.75 metres (137.0 ft) [ 6 ] and would have weighed nearly 1,090 tonnes ...
The obelisk and its base contain a number of inscriptions. Two ancient inscriptions at the base of the shaft describe its original dedication in Rome, four inscriptions on the pedestal composed by Cardinal Silvio Antoniano describe its rededication in 1586, and lower down, in smaller script, is an acknowledgement of Domenico Fontana's role in the moving of the obelisk.
The history of Ancient Greek pottery is divided stylistically into periods: the Protogeometric, the Geometric, the Late Geometric or Archaic, the Black Figure, and the Red Figure. Ancient Greek art has survived most successfully in the forms of sculpture and architecture, as well as in such minor arts as coin design, pottery, and gem engraving.
The Disk of Mictlāntēcutli (Nahuatl: [mik.t͡ɬaːn.ˈteːkʷ.t͡ɬi] ⓘ), otherwise known as the Disk of Death, is a pre-Hispanic sculpture depicting Mictlāntēcutli, the Aztec god of death and ruler of Mictlān, the underworld of Aztec mythology. [1]
The obelisk was officially unveiled on October 28, 1937 to commemorate the fifteenth anniversary of the March on Rome. [11] The operation was coordinated by Ugo Monneret de Villard. A bronze statue of the Lion of Judah, symbol of the Ethiopian monarchy, was taken along with the obelisk and displayed in front of Termini railway station.
The Black Obelisk of Shalmaneser III is a black limestone Neo-Assyrian sculpture with many scenes in bas-relief and inscriptions. It comes from Nimrud (ancient Kalhu), in northern Iraq , and commemorates the deeds of King Shalmaneser III (reigned 858–824 BC).