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The appearance of second originals is a feature of a new understanding of Caravaggio's work, and indeed Vincenzo Giustiniani, whose experience was closely related to the artist's career, describes in his Discorso sulla pittura the painter's development as beginning with copying others’ work – 'Proceeding further, he can also copy his own work, so that the replica may be as good, and even ...
Lute Player. Private Collection 96 × 121 cm Oil on canvas. Understood to be the original version of the Lute Player: c. 1596: Lute Player: Saint Petersburg, Hermitage Museum: 94 × 119 cm Oil on canvas: c. 1596: Lute Player: New York City, Metropolitan Museum of Art (on loan) 100 × 126,5 cm Oil on canvas: c. 1596: Basket of Fruit: Milan ...
The Lute Player (Hermitage version), c. 1600, ... The Incredulity of Saint Thomas is one of the most famous paintings by Caravaggio, circa 1601–1602.
The Lute Player, 1596, oil on canvas, Caravaggio. Caravaggio seems to have composed the painting from studies of two figures. [10] The central figure with the lute has been identified as Caravaggio's companion Mario Minniti, and the individual next to him and facing the viewer is possibly a self-portrait of the artist. [4]
Cecco Boneri, if this is his name, appears in many of Caravaggio's paintings, as the juvenile angel supporting Christ in The Conversion of Saint Paul (1600–1601), possibly as the angel offering a martyr's palm to the saint in The Martyrdom of Saint Matthew (1599–1600) (although seen only as of the top of a curly head of hair), as the young ...
His paintings for Del Monte fall into two groups: the secular genre pieces such as The Musicians, The Lute Player, and Bacchus – all featuring boys and youths in somewhat claustrophobic interior scenes – and religious images such as Rest on the Flight into Egypt and Ecstasy of Saint Francis. Among the religious paintings was a group of four ...
The Lute Player c. 1600 Oil on canvas, 100 x 126,5 cm Metropolitan Museum of Art, New York (on loan) Two pictures (one in The Hermitage, St. Petersburg, and the other in the Metropolitan Museum of Art, New York) of almost the same dimensions depict a boy with soft facial features and unusually thick brown hair, pouting lips, a half-open mouth ...
Caravaggio, The Lute Player, c. 1600, Hermitage Museum. The Lute Player is influenced by Caravaggio's early genre scenes, especially Caravaggio's own c. 1600 painting of the same name in the Hermitage Museum. [6] In turn, Gentileschi's painting was the inspiration for Giuseppe Crespi's c. 1700–1705 Woman Playing a Lute. [1]
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