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The Young Sick Bacchus (Italian: Bacchino Malato), also known as the Sick Bacchus or the Self-Portrait as Bacchus, is an early self-portrait by the Baroque artist Michelangelo Merisi da Caravaggio, dated between 1593 and 1594. It now hangs in the Galleria Borghese in Rome.
Caravaggio himself appears in several paintings, his final self-portrait being as the witness on the far right to the Martyrdom of Saint Ursula. [87] The Taking of Christ, 1602, National Gallery of Ireland, Dublin. The chiaroscuro shows through on the faces and armour even in the absence of a visible shaft of light. The figure on the extreme ...
Bacchus (c. 1596) is an oil painting by Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610) commissioned by Cardinal Del Monte.The painting shows a youthful Bacchus reclining in classical fashion with grapes and vine leaves in his hair, fingering the drawstring of his loosely draped robe.
Painting Year Name City, Gallery Dimensions Technique Notes c. 1592–1593: Boy Peeling Fruit: Florence, Fondazione Roberto Longhi: 75.5 × 64.4 cm Oil on canvas: One of several versions, one of which is Caravaggio's earliest known work [2]
A self-portrait is a portrait of an artist made by themselves. ... Galleria Borghese) is Caravaggio's own. Gentile Bellini, black chalk, 1496 or earlier, Berlin.
David with the Head of Goliath is a painting by the Italian Baroque artist Caravaggio.It is housed in the Galleria Borghese, Rome. [1] The painting, which was in the collection of Cardinal Scipione Borghese [a] in 1650, [3] has been dated as early as 1605 and as late as 1609–1610, with more recent scholars tending towards the former.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
The two are very similar—Caravaggio frequently explored a subject in multiple variations, most notably his many versions of John the Baptist—but the Vienna painting is less dark in mood, the David more triumphant than the introspective and oddly compassionate David of the Borghese, and the head of Goliath, widely accepted as a self-portrait ...
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