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Key: The names of the generally accepted Olympians [11] are given in bold font. Key: The names of groups of gods or other mythological beings are given in italic font. Key: The names of the Titans have a green background. Key: Dotted lines show a marriage or affair. Key: Solid lines show children.
It was once held that Dionysius was a later addition to the Greek pantheon, but the discovery of Linear B tablets confirm his status as a deity from an early period. Bacchus was another name for him in Greek, and came into common usage among the Romans. [7] His sacred animals include dolphins, serpents, tigers, and donkeys.
In ancient Greek religion and mythology, the twelve Olympians are the major deities of the Greek pantheon, commonly considered to be Zeus, Poseidon, Hera, Demeter, Aphrodite, Athena, Artemis, Apollo, Ares, Hephaestus, Hermes, and either Hestia or Dionysus. [2] They were called Olympians because, according to tradition, they resided on Mount ...
Following is a list of pantheons of deities in specific spiritual practices: ... Egyptian pantheon; Germanic pantheon; Greek pantheon; Guanche pantheon; Hindu pantheon;
The Greek pantheon of gods included mortal-born heroes and heroines who were elevated to godhood through a process which the Greeks termed apotheosis. [1] Some of these received the privilege as a reward for their helpfulness to mankind example: Heracles, Asclepius and Aristaeus, others through marriage to gods, example: Ariadne, Tithonus and Psyche, and some by luck or pure chance example ...
(Greek mythology) Shield of Ajax, a huge shield made of seven cow-hides with a layer of bronze. (Greek mythology) Ancile, the shield of the Roman god Mars. One divine shield fell from heaven during the reign of Numa Pompilius, the second king of Rome. He ordered eleven copies made to confuse would-be thieves. (Roman mythology)
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Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.