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American science fiction author and editor Lester del Rey wrote, "Even the devoted aficionado or fan—has a hard time trying to explain what science fiction is," and the lack of a "full satisfactory definition" is because "there are no easily delineated limits to science fiction." [3] Another definition comes from The Literature Book by DK and ...
"A science fiction story is a story built around human beings, with a human problem, and a human solution, which would not have happened at all without its scientific content." [13] Basil Davenport. 1955. "Science fiction is fiction based upon some imagined development of science, or upon the extrapolation of a tendency in society." [14] Edmund ...
Golden Age of Science Fiction — a period of the 1940s during which the science fiction genre gained wide public attention and many classic science fiction stories were published. New Wave science fiction — characterised by a high degree of experimentation, both in form and in content.
According to Vivian Sobchack, a British cinema and media theorist and cultural critic: . Science fiction film is a film genre which emphasizes actual, extrapolative, or 2.0 speculative science and the empirical method, interacting in a social context with the lesser emphasized, but still present, transcendentalism of magic and religion, in an attempt to reconcile man with the unknown.
Typically incorporates elements of science fiction or fantasy, and may be a subgenre of them. DC Universe, Marvel Universe, Kamen Rider, My Hero Academia, Super Sentai, Metal Heroes: Space Western: Hybrid genre within speculative fiction that simultaneously draws upon or combines tropes and elements from both science fiction and the genre of ...
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting said to focus on a combination of "low-life and high tech". [1] It features futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. [2]
As an emerging genre, slipstream has been described as nonrealistic fiction with a postmodern sensibility, exploring an awareness of societal and technological change and psychological breakdown previously shown by science fiction authors during the time of postmodernism, as well as poets and experimental authors in modernism.
It usually eschews the supernatural, and unlike the related genre of fantasy, historically science fiction stories were intended to have at least pretense of science-based fact or theory at the time the story was created, but this connection has become tenuous or non-existent in much of science fiction.