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Mt 26:69–75, with Maid I and II (sopranos), Peter (bass) and Turba on Wahrlich, du bist auch einer von denen; denn deine Sprache verrät dich. (Chorus II) 39. Aria Erbarme dich, mein Gott, um meiner Zähren Willen! (alto) 40. "Werde munter, mein Gemüte" by Johann Rist, stanza 6: Bin ich gleich von dir gewichen 41.
The soprano aria expresses like a prayer "Liebster Gott, erbarme dich" (Beloved God, have mercy). [1] The two oboes da caccia illustrate a movement of supplication even together with the soprano voice. [2] The final chorale is sung on the melody of ""Wer nur den lieben Gott läßt walten", which Bach also used in his choral cantata BWV 93. [2] [4]
Was mein Gott will, das g'scheh allzeit: 1: Was mein Gott will, das g'scheh allzeit: 25: four-part chorale Christian Keymann: 1658: Meinen Jesum laß ich nicht: 6: Jesum laß' ich nicht von mir: 29 [b] four-part chorale Sebald Heyden: 1525: O Mensch, bewein dein Sünde groß: 1: O Mensch, bewein dein Sünde groß: 29 [c] cantus firmus in choral ...
The film opens and closes with the aria "Erbarme dich, mein Gott" ("Have mercy, my God") from Johann Sebastian Bach's St Matthew Passion. [22] The soundtrack also features shakuhachi recordings by Watazumi Doso. [23]
"Ermuntre dich, mein schwacher Geist" is a German Christmas carol with lyrics by Johann Rist and a melody by Johann Schop, first published in 1641. Historically it was contained in Protestant hymnals, but the current one, Evangelisches Gesangbuch , uses only three of its stanzas , the ninth, the second and the twelfth, titled " Brich an, du ...
In the ruins, he imagines David's deceased family and his supervisor's youngest son sitting around a small table, waving at him. Josef picks up David's son and waves his hand back. An aria from J.S. Bach's St Matthew Passion (Erbarme dich, mein Gott, God, please have mercy on our frailty!) is the denouement of the film.
On Friday after Epiphany 1524, Hegewald's hymn "Erbarm dich mein, o Herre Gott, nach deiner großen Barmherzigkeit" (Have pity on me, O Lord God, according to thy great mercy) appeared in Wittenberg as a broadside. It is a paraphrase of Psalm 51 "Miserere". The song was included in the Erfurt Enchiridion and in other hymnals.
In the four stanzas of four lines each, "Herr, erbarme dich" (Lord, have mercy) is the final line in every stanza, [7] which is the German version of the liturgical Kyrie eleison, Christe eleison of the mass, a regular part of also of Protestant church services.