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By chance, the main phases of Venetian painting fit rather neatly into the centuries. The glories of the 16th century were followed by a great fall-off in the 17th, but an unexpected revival in the 18th, [3] when Venetian painters enjoyed great success around Europe, as Baroque painting turned to Rococo.
Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo ...
Antonio Gaspari (late 17th century), architect, student of Baldassare Longhena [9] Giuseppe Vittore Ghislandi or Fra' Galgario (1655–1743), painter, trained in Venice; Michele Giambono (c. 1400–c. 1462), painter and mosaic maker; Giorgione (c. 1477/8–1510), painter, with Titian founded the Venetian school of Renaissance Painting
Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the cinquecento" and the Late Renaissance in the 16th century. [1] Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting ...
Tiziano Vecellio (Italian: [titˈtsjaːno veˈtʃɛlljo]; c. 1488/90 [1] – 27 August 1576), [2] Latinized as Titianus, hence known in English as Titian (/ ˈ t ɪ ʃ ən / ⓘ TISH-ən), was an Italian Renaissance painter, [a] the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. [4]
In The Wedding Feast at Cana, Veronese represents the water-into-wine miracle of Jesus in the grand style of the sumptuous feasts of food and music that were characteristic of 16th-century Venetian society; [3] the sacred in and among the profane world where “banquet dishes not only signify wealth, power, and sophistication, but transfer ...
St. Jerome in the Desert, c. 1455; Tempera on panel; Barber Institute, Birmingham [6]. Giovanni Bellini was born in Venice.The painter Jacopo Bellini had long been considered Giovanni's father, but the art historian Daniel Wallace Maze has advanced the theory that in fact, Jacopo was his much elder brother. [4]
The painting is directly tied to Luke, chapter 5, of the Bible which is clear from the inscription the artist added. The painting shows a banquet taking place in which Christ is the focal point at the center of the image. [3] However, the painting led to an investigation by the Tribunal of the Venetian Holy Inquisition. [4]