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The theme is set in its first three bars in minor sixth chords with an added major seventh. However, Strayhorn causes us to hear these harmonies as if they were whole-tone chords. He achieves this effect by two means: 1) through orchestrational and dynamic stressing of the three upper notes [and] 2) by setting these sixth chords in their third ...
The play follows two main couples: Beatrice and Benedick (adapted to Bea and Ben in Anyone But You), who use witty banter to deny their romantic interest in one another, and Claudio and Hero (here ...
Writing for AllMusic, critic Stephen Cook wrote "Another fine Webster release on Verve that sees the tenor great once again backed by the deluxe Oscar Peterson Trio....To reassure Peterson fans worried about scant solo time for their hero, the pianist lays down a healthy number of extended runs, unobtrusively shadowing Webster's vaporous tone and supple phrasing along the way.
Born and raised in Portland, Oregon, Kim started studying the piano at age five with Dorothy Fahlman. [2] At the age of eight, he performed his first public solo recital and his orchestral debut at twelve. At age 20, he finished an accelerated Bachelor of Music degree program at the Peabody Conservatory as a student of Leon Fleisher. He ...
Anyone But You is based on the play Much Ado About Nothing by William Shakespeare, arguably the first incarnation of the enemies-to-lovers trope and a blueprint for the sparky banter on which ...
“Anyone but You” follows archnemeses Bea (Sweeney) and Ben (Powell), who unexpectedly reunite at a destination wedding in Australia and, for personal reasons, decide to pose as the perfect couple.
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The piano is often used to provide harmonic accompaniment to a voice or other instrument.However, solo parts for the piano are common in many musical styles. These can take the form of a section in which the piano is heard more prominently than other instruments, or in which the piano may be played entirely unaccompanied.
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